6 Rock Exercises with Drum Beats and Fills

These 6 Rock Exercises are selected from the pdf ebook ‘40 Beats and fills Exercises – Book 3‘.

I have selected these 6 exercises because they give a good insight to the book as well as being a really useful resource on it’s own. Perhaps a drum teacher would print this off for their pupils to work on, or a drummer might want to focus on rock drumming and use this on it’s own for several sessions.

The difficulty levels range from about grade 3 to grade 6, which I would say is advanced beginner to intermediate.

Below is a copy of the other two pages. You can also get the PDF file from here: https://payhip.com/b/JESGw

Sheet 3 – Beginners Drum Warm Up Exercises

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Beginners Drum Warm Up Exercises

The difficulty on this sheet goes slightly higher with adding 8th notes to the drum beats and the drum fills are a little more advanced too, especially the rhythm of the crash and bass drum hits at the end. A drum teacher can help with this. Once you hear the rhythm it shouldn’t be too hard. You can hear the same rhythm of the ending crash cymbals (in the penultimate bar of this sheet) at the start of a famous song called We Found Love by Rhianna. Whenever I see this rhythm in any music, I always think of this song! I’m sure the rhythm has stronger roots elsewhere, perhaps in Latin American carnival type music, but that’s just what sticks in my mind.

To further disect the final line of fills, you also will need to play a triplet at the end of the first bar whilst counting ‘4 trip let’ and on the second bar there is a flam on beat 2 followed by a floor tom on beat 2 +.

Going back to the start, it’s also important to observe the driving accents on the beat, which should be played on the floor tom, and not really the bass drum. This also goes for the second line. Lines 3 and 4 could also be played with these driving accents on the ride cymbal if you would like to.

← Sheet 2

Sheet 2 – Drum Warm Up Exercises for Beginners

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Download the PDF for ‘Sheet 2 – Drum Warm Up Exercises for Beginners’.

This beginners drum warm-up exercise includes easy drum beats with quarter note ride cymbals. The quarter note ride cymbal drum beats start off sparsely, like they are not complete drum beats, and then build into more of a basic beat with a kick-snare-kick-snare rhythm. The drum warm up then finishes with a fully formed drum fill, which tries to stay easy at the same time as being mildly challenging and musically interesting.

← Sheet 1

Sheet 3 →

Drum Lesson Warm Up – 6th Jan 2026

Drum lesson warm up for advanced beginners and early intermediate levels.

Since posting this, I have focussed on creating an ebook with similar content, so the title has changed a little bit and it’s now the 2nd exercise sheet of the book. You can use the image on here and print it if needed, or you can also purchase PDF of Sheet 2 – Drum Warm Up Exercises for Advanced Beginners to Early Intermediate.

This Drum lesson warm up for advanced beginners and early intermediate levels is a summary of some of the exercises I worked on today with my students. This will probably be of use to any drummers wanting some original exercises to work on as part of a drum lesson or to self learn.

There are two exercises with sextuplets, accents and the use of a paradiddle-diddle (RLRRLL).

There are exercises based on one drum beat with examples of how you can develop it.

View Sheet 3 →

← Back to Sheet 1

Page 5 – 25 Hi Hat Patterns with drum beat examples

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Page 1 | Page 2 | Page 3 | Page 4 | Page 5

This page continues from the last one, combining 8th notes and 16t notes to create hi hat patterns.

These hi hat patterns and drum beat examples are for styles such as rock, pop, funk, soul, all in a 4/4 time signature.

These patterns can be used with basic drum beats or more complicated ones.

The Moeller technique works well on patterns 5, 6, 9, 17, 18, 19, 20, 24, 25.

You could also add 8th note or 16th note swing to all of the patterns.

> = Accents (play louder). You can play the accents on the top of the hi hat for a clean sound.

You could play the accents on the hi hat edge with 45 degree stick angle, for a heavier sound.

Circle around the hi hat means open hi hat.

Page 4 – 25 Hi Hat Patterns with drum beat examples

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Page 1 | Page 2 | Page 3 | Page 4 | Page 5

This page and the next page concentrates on combinations of 8th notes and 16t notes to create hi hat patterns.

These hi hat patterns and drum beat examples are for styles such as rock, pop, funk, soul, all in a 4/4 time signature.

These patterns can be used with basic drum beats or more complicated ones.

The Moeller technique works well on patterns 5, 6, 9, 17, 18, 19, 20, 24, 25.

You could also add 8th note or 16th note swing to all of the patterns.

> = Accents (play louder). You can play the accents on the top of the hi hat for a clean sound.

You could play the accents on the hi hat edge with 45 degree stick angle, for a heavier sound.

Circle around the hi hat means open hi hat.

Page 3 – 25 Hi Hat Patterns with drum beat examples

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Page 1 | Page 2 | Page 3 | Page 4 | Page 5

This page focusses on accents on the hi hats whilst playing 16th notes with 2 hands. Adding double strokes to some or all of the non accents would be one way to extend this sheet further, as would adding open hi hats and appling different drum beats such as the beats in this book: 90 intermediate drum beats focusing on the bass drum – PDF ebook. You can also find more 16th note exercises with accents here: Accent Exercises with 16th notes – PDF ebook

These hi hat patterns and drum beat examples are for styles such as rock, pop, funk, soul, all in a 4/4 time signature.

These patterns can be used with basic drum beats or more complicated ones.

The Moeller technique works well on patterns 5, 6, 9, 17, 18, 19, 20, 24, 25.

You could also add 8th note or 16th note swing to all of the patterns.

> = Accents (play louder). You can play the accents on the top of the hi hat for a clean sound.

You could play the accents on the hi hat edge with 45 degree stick angle, for a heavier sound.

Circle around the hi hat means open hi hat.

Page 2 – 25 Hi Hat Patterns with drum beat examples

Free PDF Download

Page 1 | Page 2 | Page 3 | Page 4 | Page 5

These hi hat patterns and drum beat examples are for styles such as rock, pop, funk, soul, all in a 4/4 time signature.

These patterns can be used with basic drum beats or more complicated ones.

The Moeller technique works well on patterns 5, 6, 9, 17, 18, 19, 20, 24, 25.

You could also add 8th note or 16th note swing to all of the patterns.

> = Accents (play louder). You can play the accents on the top of the hi hat for a clean sound.

You could play the accents on the hi hat edge with 45 degree stick angle, for a heavier sound.

Circle around the hi hat means open hi hat.

Page 1 – 25 Hi Hat Patterns with drum beat examples

Free PDF Download

Page 1 | Page 2 | Page 3 | Page 4 | Page 5

These hi hat patterns and drum beat examples are for styles such as rock, pop, funk, soul, all in a 4/4 time signature.

These patterns can be used with basic drum beats or more complicated ones.

The Moeller technique works well on patterns 5, 6, 9, 17, 18, 19, 20, 24, 25.

You could also add 8th note or 16th note swing to all of the patterns.

> = Accents (play louder). You can play the accents on the top of the hi hat for a clean sound.

You could play the accents on the hi hat edge with 45 degree stick angle, for a heavier sound.

Circle around the hi hat means open hi hat.