These jazz drum patterns are for at least grade 3 level. The 3 way co-ordination exercises could also be tried slowly by Grade 1-2.
Drummers that are new to jazz could start with these even if they are a pro in other genres. These patterns will be hard if you are new to less regimented styles like Jazz and Latin drumming (i.e. you are more used to pop/rock).
That is the background I come from with drums – pop, rock, funk, metal. Then I was introduced to Jazz. After my Rockschool Grades (we skipped Jazz in my lessons), after my early teenage years of practicing and learning and exploring new and old music. At drum college I was introduced to Jazz when I was 16 or 17. Since this I have always had a place in my heart for Jazz. It is probably where I really started to get an understanding for melody and how it related with my primary passion of drums. The drums in Jazz compliment the melody a lot! The thing I was always taught with Jazz was to either ‘learn the melody’, or to ‘play off the improvised melody’. Over 10 years later and my interests have been drawn even more to creating melodies on other instruments, and I learn more and more how the instruments compliment each other.
So, onto the drum patterns. The patterns are all triplet based and all have a ride cymbal on the 1 2 3 4 beats. The rest of the triplet beats are played by different bass drum and snare drum combinations. These type of movements are fundamental to Jazz drumming. The left foot hi hat is also fundamental. I have also included a 4 way co-ordination sheet for when the 3 way co-ordination patterns begin to get easy. The patterns are all linear apart from the left foot and and right hand on beats 2 and 4 on the 4 way co-ordination patterns, which means that there is only one drum voice playing at once. This helps to get used to playing in triplets, and for focusing on the snare and bass drum patterns. In more advanced Jazz, these types of snare and bass drum patterns will poly rhythm with different right hand ostinati, making things a lot harder.