Parts Of A Drumstick (Easy Explainer Guide)
So, what are the parts of a drumstick?
There are six parts of a drumstick. The tip strikes the drum. The neck is the thinnest point. The taper is where a stick thickens and widens. The shoulder is the thickest end of the taper. The shaft is the main body of the stick. The butt is the part you hold.
When you first start playing the drums, it’s easy to assume that picking up a pair of drumsticks is the simplest part of learning to play the drum kit.
After all, aren’t different drumsticks pretty similar? And why do I have to learn about the parts of a stick? Isn’t it the drums that will really determine how you’ll sound?
Surprisingly, the pieces of wood that come between you and your drums can have a huge impact on your tone, feel and ability to play the music you love.
Drumstick anatomy can seem complex, but fortunately, there’s really not too much to learn.
This article will take you through everything you need to know, so you can sound like a seasoned expert wherever you go.
A great place to start is a quick overview of the entire drumstick.
Neil Larivee from the iconic drumstick company Vic Firth takes us through the various parts of a drumstick in the helpful video below.
He doesn’t mention the butt of the stick, but it’s such a common term that I decided to include it in this article.
Why learn about the parts of a drumstick?
Learning more about how a drumstick is designed is essential for finding the pair of sticks that suits you best.
If you’re a rock drummer, you’re going to need a pair of rock drumsticks that can compete with the volume and intensity of a loud band.
Yet, if you’re a jazz drummer, you’re going to need a pair of jazz sticks that give you a crisp, light touch on the drums.
Understanding the parts of a drumstick, and how they differ from stick to stick, is key to getting the right tools for the job.
First and foremost, it will allow you to make a more informed choice every time you visit the music shop.
You’ll be able to compare different brands, makes and models and understand more of the key differences between them.
What’s more, you’ll be able to speak a common language with other knowledgeable drummers, and this allows you to benefit from their experience.
So without further ado, let’s get into the nitty gritty of what makes each drumstick unique!
The first and arguably the most important part of a drumstick is the tip.
The tip of a drumstick is the area of the stick that is most commonly going to be coming into contact with the drum.
As a result, the shape and style of the tip has the most direct impact on your sound.
Different shaped tips bring out different sounds from your drums.
Some produce a darker, warmer tone, whereas others are more defined, with a sharper and brighter sound.
Why do different tips produce different sounds?
Here’s the clever science bit: It’s all to do with how much of the surface area of the tip comes into contact with the drum.
Some stick tips are shaped so that only a tiny amount of the stick tip will actually touch the drum.
This produces a lot of higher overtones, producing a brighter sound which is more defined and more easily heard in the mix of the music.
On the other hand, some stick tips have a much wider surface touching the drum, increasing the number of lower overtones in the mix.
This extra surface area often provides a fuller, more rounded tone; while not as defined as the brighter stick tips, many drummers prefer this extra warmth to their drum sound.
Different Drumstick Tips
Here’s a breakdown of all the different drumstick tip types you’ll need to know.
Drum companies are always designing new variations for drumstick tips, however, most typically fall into a number of popular categories:
Ball: A ball shaped tip is a useful tip shape because it provides incredible consistency to your playing.
The tone you produce with this stick tip is likely to be very even and well-balanced.
Why? Because the amount of surface area that comes into contact with the drum you are playing is always the same.
This is because it has a perfect sphere shape (shown above), so whatever angle you hit the drum at, you’ll get the same amount of stick surface area coming into contact with the drum.
Pretty neat huh?
As a smaller stick tip, the ball shape provides a bright, light and crisp sound.
Oval: The oval tip is a really expressive stick shape, providing great variety in tone to the drummer who plays with them.
In contrast to tips like the ball shape, you have a lot of freedom with the sound you choose to generate every time you sit down to play.
You can play your drums at different angles to change up your tone pretty easily with this stick.
If you’re not sure what tone you like, try an oval stick.
You’ll have access to a wider range of overtones with this stick.
It’s a great stick shape to experiment with and unleash your creativity.
Acorn: Acorn tips typically have a large surface area that comes into contact with the drum.
This produces a fuller, fatter sound with a nice rounded mix of tones.
Simply put, the acorn tip is a heavy lifter in the world of drumstick tips, and it’s well worth having a pair of acorn tips in your stick bag.
The acorn tip is versatile enough to suit most musical styles and genres, and as a result is widely used by the top drumstick companies.
Drop/Teardrop: You’ll find this shape on the most popular drumsticks ever created (the Vic Firth’s American Classic 5As), and it’s easy to understand why.
Like the acorn tip, it has a large surface area coming into contact with the drum, providing a warm, full and highly desirable tone.
Like the acorn, you can use the teardrop in many musical situations, making it another top all-round choice.
A useful thing to know is that if you like the tone of a particular drum tip, you can customise that stick to the kind of music you play by changing the size of the stick.
So if you’re a fan of the teardrop shape but need a stick with a big more oomph for loud musical settings, you could choose a 5B stick over a 5A stick.
Barrel: The barrel tip is small and fat.
It provides a punchy sound favoured by some of the world’s top drummers.
Take a look at legendary drummer Steve Gadd rocking out with a pair of barrel tip drumsticks in this epic drum solo.
The barrel tip is great for producing a high-quality recording sound in the studio, and therefore is favoured by a great session drummer like Steve.
Nylon: While you’ll find wood tips on almost all drumsticks, there are alternatives that drummers sometimes prefer.
Whereas we’ve been focusing mostly on the shape of drumstick tips so far, choosing a different material for the stick tip has a significant impact on the overall sound.
Nylon tips produce a brighter sound than wood sticks on average for stick tips of the same size.
In particular, they are able to generate a sharp ‘ping’ sound from playing the cymbals.
This can help drummers be heard more clearly, particularly when playing in noisy environments.
Nylon tips also tend to break less easily and don’t wear down like wood tips do.
Editor’s Note: If you play heavier music such as rock or metal, you may find the tone of the snare drum and tom hits less pleasing, and even worse, the tips can fly off. You could try using some strong glue if this happens, but in my experience, wooden oval tips are the way to go for heavier styles just because the overall sound suits the styles better.
Can I hear an example of the differences between the tips?
You certainly can! Have a watch of this great video that provides real examples of different stick tips in action.
The neck is the thinnest point of the entire drumstick. You’ll find this point just behind the tip of the stick, before the stick thickens and widens.
Thicker stick necks are more durable and likely to make your stick last longer, but this can make the stick feel clunky and unresponsive.
There was a time when drumstick necks would break regularly and the drumstick tips would just fly off, but the reliability of drumsticks has improved greatly over the years.
Most of the time, you don’t need to worry about this one point on the drumstick.
If you’re breaking your sticks a lot, you’ll probably want to choose a larger, thicker drum stick.
The taper is where the stick thickens and widens, from the neck all the way up to the shoulder of the stick.
The design of this part of the stick has a big impact on the playability of the stick, giving a stick part of its unique feel when you strike the drum.
All drumsticks have a different “feel” to them.
Sticks that are thinner and longer are often described as highly responsive sticks.
Heavier and shorter sticks provide more power, but are stiffer and harder in the hands.
A shorter taper will favour a drummer who prefers to have more power and a longer taper will favour a drummer who prefers responsiveness.
There’s no right answer when it comes to choosing a style of taper that you like.
It’s likely that you’ll develop a personal preference depending on the music you play and your own playing technique on the drums.
The shoulder of the stick can be found at the end of the taper, where the taper has reached its thickest point.
The location of the shoulder is determined by how long the taper is.
So the longer a taper is, the further away from the tip the shoulder is.
The shorter the taper is, the closer the shoulder is to the tip.
This part of the stick is mostly used for a single drum technique, which is to “crash” a cymbal.
Rather than playing on the top of a cymbal with the tip, we can get a much warmer and washier sound by striking the side of the cymbal with the shoulder of the stick.
In the video below, you’ll hear the difference that playing a cymbal with the shoulder of the stick produces.
The first time the drummer plays the cymbal, he uses the shoulder.
Tip: When “crashing the cymbal with the shoulder of the stick, make sure to avoid hitting the edge of the cymbal at too sharp an angle.
The stick should never be at 90 degrees like this. Your drumstick (or cymbal!) is likely to break very quickly!
Here’s how your stick should look as you strike the cymbal with the shoulder.
The tip of the stick never touches the cymbal, only the shoulder.
The shaft or body is the main thick section that provides most of the weight to the drumstick.
The thickness and weight of this area will have a big impact on how the stick feels to play.
Thicker sticks, such as 2Bs and 5Bs, will deliver a huge amount of power thanks to their increased weight, but can be difficult to move around the kit.
Lighter sticks, such as 7As, are great for more complex and intricate drumming, but deliver less power.
There are two occasions in which the shaft of the stick comes into contact with the drum.
The first is when using the crosstick technique (shown below) which creates a rim-clicking sound, popular in jazz, ballads and music that requires less volume.
In the crosstick technique, the stick is turned around the opposite way to play.
The tip of the stick sits in the centre of the drum; the drummer then controls the stick with a light grip to knock the body/shaft against the rim.
Editor’s Note: You don’t have to switch the stick around, it just sounds cool if you do. If you are playing a piece that requires switching from normal snare to cross stick snare, don’t worry about swapping in the stick around to play the cross stick.
The other time that you would play with the body of the stick would be when playing a rimshot.
When playing a rimshot, you strike the centre of the drum and the rim of the drum simultaneously.
This creates a much more powerful and defined sound, ideal for rock, metal and any genre that requires a punchier style of drumming.
The final area of the stick is the butt end, where we will be holding the stick most of the time.
There’s no defined point at which the body of the stick becomes the butt, but we just think of the butt as the end of the stick that is the thickest.
Sometimes, drum companies will put a coloured grip or texture on the butt end to help drummers keep hold of the sticks during intense practice sessions and performances.
On occasion, drummers will turn their sticks around to play with the butt end instead of the tip, to get a heavier, fuller sound.
Some drummers go even further, adding a rimshot to the mix as well as using the butt.
They use the shaft of the stick on the rim while using the butt end to play the centre of the drum.
This creates a truly earth-shaking sound; it delivers even more power for drummers that need to be heard in the noisiest musical situations.
I hope you’ve enjoyed this introductory guide to the different parts of a drumstick.
My advice would be to get yourself down to your local music shop, and experience how the various types of drumsticks feel in reality.
You’ll be able to put this information to practical use and find the ideal pair of sticks that suits your playing style and the music you play – taking your drumming to the next level.