Learn Drums For Free – Page 16 – A blog to help with learning and teaching Drums. Written by Theo Lawrence / TL Music Books.

Construction of a basic drum beat in 7 steps

We are going to learn a basic drum beat. It’s one that you will have heard before.

I’m going to break it down into one thing at a time, or two things, and show you how it’s constructed. It’s a great way for beginners to learn how to play it, and how to count it properly.

These are the instructions for each line of the sheet above:

Let’s start by just playing the Hi Hat. Play it closed with your right hand, and count 1 + 2 + 3 + 4 +.
Now just play the bass drum. Count 1 2 3 4, but only play the bass on beat 1 and 3. You can loop this round and around.
Count 1 2 3 4 again, but this time play the snare drum on 2 and 4. Again, loop this until it’s easy.
Now it’s going to start sounding like a beat. Count 1 2 3 4. Play the bass on 1 and 3, and the snare on 2 and 4. So it will go bass, snare, bass, snare. This is probably the most used sequence in drumming, so loop it and get really comfortable playing it.
OK, let’s go back to the hi hat, and combine it with the bass drum. Hi hat on 1 + 2 + 3 + 4 +. Bass on 1 and 3.
Just one more combo before the full drum beat. Hi hat on 1 + 2 + 3 + 4 +. Snare drum on 2 and 4.
Finally, we will now combine everything we have learned, to make the most popular basic drum beat. Hi hat on 1 + 2 + 3 + 4 +. Snare drum on 2 and 4. Bass on 1 and 3.

Related: 10 Basic Rock Drum Beats

Related (Premium): Grade 1 Rock Beats Ebook – The lesson you have just been through is featured in the ebook as an A4 printable handout for students.

Accent Techniques – Down, Tap, Up, Full Strokes

When you play accents, you should ideally use 3 different stick strokes. These are tap stroke, up stroke, and down stroke.

Tap Stroke

You would play a tap stroke if you have just played a quiet note with that hand, and the next note with that hand is another unaccented note.

The tap stroke stick position should start about an inch or a few cms away from the snare drum. Move the stick straight down and hit the drum quietly, before coming straight back up and returning to the starting point.

Up Stroke

You would play a tap stroke if you have just played a quiet note with that hand, and the next note with that hand is an accent.

The up stroke should start in the tap position, and play a tap stroke, but instead of returning to the start position, the stick should end up much higher, somewhere between a 45 and 90 degree angle to the snare drum.

Down Stroke

You would play a Down stroke if you have just played an accent with that hand, and the next note with that hand is an unaccented note.

The stick position should start somewhere between a 45 and 90 degree angle to the snare drum. This stroke should be a loud stroke. Move the stick quickly to produce the loud stroke and finish in the starting position of the tap stroke.

The downstroke produces accents, which look like this: >

Full Stroke

You would play a Full stroke if you have just played an accent with that hand, and there is another accent to follow with that hand. The full stroke, which is played just like a down stroke, but instead of finishing in the tap position, the stick comes back to the starting position of the down stroke. So it plays a loud beat and comes straight back for another one.

8 snare drum sight reading exercises for grade 2

If you already have some drum sheet music reading knowledge, try to read the sheet music and play the bar of music, and then listen to the mp3 audio to see if you are right. These are unofficial exercises to help prepare for the Sight Reading Element of Rockschool Grade 2 Drums.

What happens when you opt for gaffa tape instead of bass drum impact pads

Having visited various rehearsal studios around the UK, I have seen this happen so many times.

I believe that it is a common thought to skimp on buying a bass drum impact pad, and choose gaffa tape instead. Please don’t do this!!

The idea of the pads is to prolong the life of a bass drum skin, by adding an extra layer of material where the bass drum beater hits. The problem with using gaffa tape (aka gaffer tape, duct tape), is that it wears away very quickly and becomes extremely sticky after a day or so of drumming. This then causes your bass drum pedal beaters to stick to the drum when playing and leaves a residue on the beater heads. After the stickiness has worn off, you can play the bass drum like normal again without it being an issue.

In conclusion, putting gaffa tape on a bass drum skin only serves the purpose of wrecking the aesthetics of the bass drum skin, and spoiling the surface of your bass drum pedal beaters, and perhaps prolongs the life of the bass drum head by approximately 1 day.

16th Note Hi Hat Grooves With Accents

Here we have very basic snare and bass drum grooves, with challenging accented 16th note hi hat accent rhythms.

The Hi Hats should be played with 2 hands, with the leading hand moving over to the snare drum on beats 2 and 4.

Tip: You could play the accents on the Hi Hat edge, and the non-accents on the top of the Hi Hat, for a really good contrast in volume and tone.

These drum beats are good to play after spending some time working on the more rudimental type 16th note accent snare drum exercises like Accent Techniques – Down, Tap, Up, Full Strokes and 16th Note Accent Exercises ebook – 10 pages.

Related (Premium): The sheet from this post is included in this ebook – Grade 4 Drum Book with 17 Drum Lesson Sheets
Related: Accent Techniques – Down, Tap, Up, Full Strokes

How To Tune Drums – Exam Question

When tuning your drum skins you need to make sure to tighten the tuning pegs evenly (1/4 of a turn each time). In addition, make sure to tune the pegs in the correct order (see picture below) so that the tightening pressure on the drum head is distributed evenly. The key word to remember here is ‘Star Shape‘. This is the word that they look for in drum exams, (rockschool) when asked in the general musicianship questions.

You should ideally tune your drums regularly to keep them sounding nice.

Q: How do you tune a snare drum?

A: In a star shape, tighten or loosen the lugs with 1/4 turns or less until you reach the sound you are looking for.

Q: How do you replace a snare drum head?

A: Loosen all the lugs and take them out before taking off the snare rim and the old head. Clean out the snare if needed, then put the new snare head onto the drum, and then feed through the metal lugs and finger tighten them. Press down in the centre of the head to settle it into place. Next go round the lugs in a star shape tightening with quarter turns. After a few times around the star shape press the head again to stretch it a bit. Tap next to the lugs and make small adjustments if some sound tighter than others. Then keep going around in the star shape with quarter turns until it’s sounding how you like it. Finally push down hard in the centre for a couple of seconds, and then fine tune the lugs with tiny turns if you think they need it. Tap next to the lugs to check if any are too tight or loose.

Touring

When you set up your drums for a show, make sure to fine tune the drums if there are any wobbling tones on your drums.

Studio Recording

When recording in a studio, make sure you spend extra care to get the right tuning for the music you are recording before you actually go there. Again, you can fine tune when you are set up in the studio, but you don’t want to be spending studio time doing this for too long if you are on a budget as it’s probably going to be costing a lot of money. If your band mates see you wasting time tuning, they’ll probably get annoyed if they are splitting the cost with you.

Some players fine tune for each song, or tune to specific musical notes on the toms when recording.

Snare Drum Subdivisions Exercise – 8ths, Triplets & 16th Notes

8th note Subdivisions

You need to play 2 snare drums per beat. Put a metronome on a slow tempo (60-80) and try to play the right hand on every click.

Then with your left hand, try to add a beat in between the right hands. When you do that you will be playing 2 snares for every 1 metronome click.

Count 1 + 2 + 3 + 4 + when you play this. The left hand falls on all the + counts, and the right hand will be with all the numbers.

Triplet Subdivisions

These are trickier. Think of them as groups of 3.

The 1st group is R L R (right left right).
The 2nd group is L R L (left right left).
The 3rd group is R L R (right left right).
The 4th group is L R L (left right left).

You should count “1 trip let 2 trip let 3 trip let 4 trip let”

If played with metronome, the click would land on all the numbers.

So it’s not just the right hand that lands on the click this time, it swaps onto the left hand for the 2nd and 4th group. That’s what makes it hard!

16th note Subdivisions

These are actually easier than triplets. You will need to play these twice as fast as 8th notes.

The counting for these is:

” 1 E + a 2 E + a 3 E + a 4 E + a “

I’ve written capital E and small a for a reason here. The E is pronounced as a capital E. and the ‘a’ is said like ‘a’ rather than ‘A’.

The sticking is R L R L all the way through.

With a metronome click, again the click lands on the numbers, and everything else should be played in between. So you get 4 notes (R L R L) per click.

Subdivision Exercise

You need to master the subdivisions seperately first before trying the exercise.

In a song you are likely to be changing between subdivisions frequently, as you move between fills and beats and sections in the music. This exercise prepares you for these changes.

In the exercise you will play 2 bars of a subdivision, before moving straight to the next without stopping. Take practice time to work on keeping the pulse the same when you change from one to the next. Make sure to practice with a metronome after you get comfortable with the changes.

The subdivision exercises are featured in Rockschool exams all the way up to grade 8, as part of the technical exercises. More subdivisions are added further on, but the core principles of changing from one to another remains. So spend time mastering this, it’s a valuable skill to have as a drummer.

Learning How To Read and Play Subdivisions

Put the metronome on at 60pm and try to play this sheet. Line 1 will be 1 note per click. Line 2 will be 2 hits per click (stricking R L R L). Line 3 will be 4 notes per click (again, R L R L sticking). Line 4 and 5 are duplicates of line 1 and 2, so follow the instructions for those.

Try the exercise at faster speeds when you have mastered 60bpm.

Subdivision exercise with linear drum fills

At grade 5-6 you should have good knowledge of triplets, 16th notes and sextuplets, and you will need to be able to switch seamlessly between them. This exercise works on changing between
triplets, 16th notes, and sextuplets like usual subdivision exercises, but with the twist of adding some interesting and challenging drum fills rather than just one one drum (usually just played as snare drum exercises).

(Premium) – 10 Pages of Accent Exercises with 16th notes – PDF ebook

Buy Now →

10 pages of 16th note accent exercises, which includes accents and doubles around the kit. This ebook is designed to help progress technique and explore creative concepts by moving sticking exercises around the kit in various different ways.

Most exercises in the ebook are suitable for all ability levels, played at varying speeds.

This ebook covers a lot of ability levels in just 10 pages. There is content from Grade 1 up to Grade 8 in there. You’ll be able to dip in and out of this ebook when you want to work on accents, fills and double strokes.