Category: Drums

Drum beats and drum fills in different time signatures – Sheet 4 – 40 Beats and Fills Book 2

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Here is Exercise Sheet 4 from 40 Beats and Fills Exercises Book 2.

The drum beats and drum fills are played in different time signatures (3/4, 5/4 and 2/4), as well as changing to and from the usual 4/4 bar length.

Time Signature Changes: “Do not panic – they’re quite easy”, as I say in the video!

The time signatures are not too hard And sometimes you don’t even need to worry about counting them. There are situations where you might need to count them and they might be harder depending on what is contained in the bars, but thes have been written for newcomers to time signatures in mind, so there are no real suprises – it’s meant to be a straightforward introduction.

On exercise 3, I have taken away the stepped hi hat so it’s 3 way coordination. The stepped hi hat is included on exercise 3 with the 5/4 bar, so there’s an added challenge there.

Video Demonstration

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Drum Beats and Drum Fills in 6/8 time signature – Sheet 3 Inside the book

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Here is Exercise Sheet 3 from 40 Beats and Fills Exercises Book 2.

The drum beats and drum fills are all in a 6/8 time signature. We will be putting emphasis on the beats 1 and 4 of the bar, which is standard for 6/8 drum beats. The counting should be 1 2 3 4 5 6 for 8th notes, and for 16th notes, you could count 1 + 2 + 3 + 4 + 5 + 6 +. This is unlike 4/4, where the 1 2 3 4 is counting the quarter notes, rather than the 8th notes.

We are playing in a blues style in this sheet, although you could also hear these beats in other styles such as Pop, Jazz and Musical Theatre.

Video Demonstration

As you can see in the video, some of the exercises are quite fun when played quickly. Do start slowly and correctly though, because those fills could sound messy if they are not played with accuracy.

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Sheet 2 – Inside the book: 40 Beats and Fills Exercises Book 2

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Here is page 7 inside the book (40 Beats and Fills Exercises Book 2). This sheet includes 4 drum beat and drum fill exercises with stepped hi hats on all 4 beats of the bar. The right hand is playing the ride cymbal and the left foot is playing the stepped hi hat (reverse if left handed).

Video Demonstration

As I say in the video, remember to always read a little bit ahead or glance to see what’s coming up when you are playing so you don’t get caught out by the drum fills. Reading and playing music is similar to driving a car. You need to drive the bit of the road that you are on (i.e. the current bar), but you also need to look ahead to see if there are any hazards (e.g. accents, drags, ghost notes, drum fills, complicated drum beats), drastic changes in the road such as a sharp corner (e.g. section changes), signs for a complicated junction (e.g. 1st and second time repeats), or for road diversions (e.g. D.S. al Coda).

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Sheet 1 – Inside the book: 40 Beats and Fills Exercises Book 2

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Here is part 3 of inside the book: 40 Beats and Fills Exercises Book 2. We have 4 exercises, consisiting of drum beats and drum fills, with 4 way coordination. The stepped hi hat plays on every exercise, so we are using both feet and both hands.

This is the first exercise sheet of the book, after the warm up, and it includes the first 4 of the 40 beats and fills exercises. This sheet feels like an extention of the warm up sheet for the first 3 exercises, and they could be used as such, and then by exercise 4 it feels like the start of the type of exercise you may also hear in a song somewhere. This is because the difficulty level needed not to start too high, so it is a slight progression from the warm up page.

Video Demonstration

Here is a video demonstration for Sheet 1 – 40 Beats and Fills Exercises Book 2:

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Warm Up – Inside the book: 40 Beats and Fills Exercises Book 2

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Here is part 2 of inside the book: 40 Beats and Fills Exercises Book 2.

This sheet is a warm up sheet for the drum kit, which includes 4 way coordination. The stepped hi hat and bass drum provide the parts for the feet, to play along with the hand patterns consisting of quarter notes, eigth notes and sixteenth notes.

This warm up sheet could be used at the start of a practice session before going straight into the exercises in the book, as it prepares you for the kind of things to come in the 40 beats and fills exercises. It could also be used as a seperate warm up exercise for something else. By the end of the sheet, you should feel warmed up and ready to get stuck into whatever you would like to work on next. Follow the tuition video below for how to play this sheet.

Video Demonstration

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How To Read The Notation – Inside the book: 40 Beats and Fills Exercises Book 2

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Here is part 1 of inside the book of “40 Beats and Fills Exercises Book 2“.

As you can see in the featured image, this post is showing you how to read the drum notation in the book. This is going to to be quite hard to understand without any prior knowledge or tuition, but I have made a video (see below) that shows you which drums are which and how to read and play the swing, rests, basic notes, and time signatures.

Here are all of the drum voices and notation markings on the sheet: crash cymbal, open hi hat, accent, ride cymbal, closed hi hat, tom 1 (small tom), tom 2 (medium tom), snare drum, floor tom, bass drum, stepped hi hat, cross stick snare drum, triplet swing, 3/4 bar, 5/4 bar, 6/8 bar, 4/4 bar, crotchet rest, quaver rest, quaver, crotchet.

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40 Beats and Fills Exercises Book 2

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This book contains drum beats and drum fills in the styles of pop, rock, blues, musical theatre, jazz, heavy metal, hard rock, punk rock, and indie, as well as covering fundamental techniques such as stepped hi hat, open hi hats, 16th note hi hats, 4 way coordination and  time signature changes. The book ranges from grade 1 to 3.

The last book focused on grades 1-2, so this book is focusing on the high end of grade 1 and up to grade 3 level. The book would be an ideal add on for anyone studying Grades 1-3, and in particular grads 2-3. To achieve grade 3 and possibly grade 4 level, the exercises would need to be played precisely, with correct dynamics, speed and fluidity.

Demonstration Video

There is a video accompaniment with timestamps for every exercise in this book here: https://youtu.be/jMT9UHOBHNM

About the book

This is the second book in the series, following directly on from “40 Beats and Fills Exercises (Grade 1-2)”. There are 40 exercises over 12 sheets, and a bonus sheet 13. There is also a warm up sheet, which can be played at the start of a lesson if you are studying some of the book.

Final Thoughts

I hope you enjoy working on this book or teaching with this book. Stick the metronome on and get into each exercise. Aim to repeat each exercise at least 2 times (ideally 4 or more). You could do 4, or keep repeating until you are happy with it. If you have done the sheet a few times before, perhaps 2 times each would be sufficient. Start without the metronome first if you are needing to slow down and learn each one. Slow it right down if it’s tricky and really make sure to play it properly. It’s better than trying to messily play it too fast.

Kind regards to you all,

Theo Lawrence / TL Music Lessons

40 Hip Hop and Funk Skip Beats and Fills Exercises ebook – Grades 3-8

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Introduction

This book contains drum beats and drum fills in the styles of Hip Hop, Rap, Grime and Funk, Soul and Rock/Pop. The book has some grade 3-4 level exercises and also some harder ones, ranging from Grade 5 to Grade 8. The book would be an ideal add on for anyone studying Grades 5-8, as many of the skills are needed at this level. To achieve grade 8, the exercises would need to be played precisely, with correct dynamics, speed and fluidity.

Video

You can use this video as a guide for when you are practicing the book but get stuck on a particular exercise – just look up the timestamp link below. Like I say later in the video, the book is not designed to be played in one go and you should focus on 1 or 2 sheets per session and really drill down those grooves and get the fills correct and precise. Precision is key with all of these exercises, no matter what speed you play them at.

Free PDF Sheets to browse or use before buying the book

People that might find this book useful

  • Drum teachers can print the book or single sheets for their students. They may like to select only some pages to teach if the students are not up to Grade 6 level. The flicks between ability levels and is not necessarily in order of ability. To achieve grade 8, the harder exercises would be played fluently and precisely at speed.
  • Drummers can teach themselves following on from a strong foundation in reading and playing at Grade 3 and above.
  • Drummers that want to learn funk and hip hop beats and fills in depth

About the book

The structure of the book is based on one of my favourite books “40 Beats and Fills Exercises (Grade 1-2)”. There are 40 exercises over 11 sheets, and I have also included 2 bonus sheets with basic skip beats with 8th note hi hats and 16th note hi hats, which adds an extra 20 exercises, but I’m not counting those in the title.

I created the book so that my students could study skip beats at grades 3-4 level and also for my students working on Grades 5, 6 and 8 (I usually skip grade 7) to work on alongside their grades.

Final Thoughts

I hope you enjoy working on this book or teaching with this book. Stick the metronome on and get into the groove. Repeat for less or more than 4 times for each exercise, it’s up to you. To extend the exercises, try playing the beats on the ride cymbal and adding in left foot hi hat ostinati.

Theo Lawrence / TL Music Lessons

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10 Basic Hip Hop and Funk Skip Beats with 16th note hi hats

This sheet contais 10 basic skip beats, with 16th note hi hats. They do get a little tricky towards the end. The two basic beats sheets should be mastered (or at least not a real struggle) before moving on to the rest of the skip beats book, because it does get harder (there is some basic stuff too). You can also play these with 8th note hi hats, which is a lot easier.

Here is a video showing you how to play all 10 of these drum beats:

As the video shows, you should aim for a RLRL pattern with the sticks (opposite for left handers), and therefore play the back beat snares with the right hand on beats 2 and 4, and any skip beat snares with the left hand (on the e or the a, if you are counting 1 e + a 2 e + a…). You should bring the left arm underneath or to the left of the right hand (depending on your drum set up positioning) to play the skip beats.

I would also recommend to play each beat a lot more than 2 times each! If you are doing these types of beats for the first time, you might like to break down each beat into sections. One way of doing this is to break down the bar into 4 sections and just play each section seperately (e.g. each section lasts for 1 beat). Nail each beat of the bar and then try to glue a couple of beats together. There are a few combinations like play beats 1 and 2 together, or 2 and 3 together for example. You could also practice looping the beats for a while and you could practice with various metronome speeds. You can also play ghost notes on any of the skip beat snares not on beats 2 and 4.

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10 Basic Hip Hop and Funk Skip Beats

This sheet is one of 2 bonus warm up sheets in the book 40 Hip Hop and Funk Skip Beats and Fills Exercises. Before getting stuck into exercises usually lasting for 4 or more bars, we focus here on 1 bar at a time, looping each drum beat for a while and making it comfortable to play.

Here is a video showing how to play these 10 exercises:

You should focus on mastering each beat on this sheet before moving onto the rest of the book. When it starts to get more comfortable, introduce the metronome at around 60-70bpm and settle down into a groove for a bit. Try increasing the speed after a while. The skip beats are the snare drums or bass drums that slot in between the 8th note hi hats. The ‘skip’ should be exactly in the middle of the space between the hi hats. when added they should sound like even 16th notes between the hi hats and the skip beats. Concentrate hard on acheiving this even spacing to make your beats sound tight.

Often snare drum skip beats are played as ghost notes. This is not notated, but you should also go through the sheet again trying this.

You can also view the next sheet in the book for free: 10 Basic Hip Hop and Funk Skip Beats with 16th note hi hats.